The San Diego Union-Tribune : In La Jolla Playhouse’s ‘Seize the King,’ Will Power puts his Lyrical Spin on Shakespeare’s ‘Richard III’

San Diego City Beat :Richard III as King of the Streets

Broadway World : Seize the King at La Jolla

San Diego Reader: Self-Absorbed Black Hole of a Tyrant



The New York Times : Recalling a Poet’s Vigil for a Life-Extending Gift

The Village Voice : Off the Grid, Blessing the Boats/Under the Radar Review

The Last Magazine : Blessing the Boats/Under the Radar Festival 2014



The Los Angeles Times : Review: Steel Hammer Bangs out a Spectacularly Inventive Social Message at UCLA’s Royce Hall

The New York Times : Various Works at 38th Annual Humana Festival

Broadway : BWW Reviews:STEEL HAMMER Brings Legendary SITI Company Back to Humana Festival : SITI Returns to Humana with Memorable John Henry



Time Out New York : Fetch Clay, Make Man Review

Broadway : Fetch Clay, Make Man Unmasks Two Racial Icons

The New York Daily News : Fetch Clay, Make Man Theatre Review

The New York Post : Ali Drama ‘Fetch Clay’ Packs Punch

The Hollywood Reporter: Fetch Clay, Make Man: Theater Review

The New York Times : One Boxed himself In, One Boxed His Way Out

Huffington Post : Fetch Clay, Make Man Review : Fetch Clay, Make Man-Review : Will Power and the Untold Ali Story

The San Francisco Chronicle : ‘Fetch Clay, Make Man’: Riveting Racial Insight

The San Francisco Examiner : ‘Fetch Clay, Make Man’Delivers with a Knockout Punch

TheatreStorm : Review: ‘Fetch Clay, Make Man’

Pacific Sun : Theater: Come Out Swinging

The Star-Ledger : ‘Fetch Clay, Make Man is season’s best-acted play

The New York Times : The Slugger and the Punching Bag

Back Stage : Fetch Clay, Make Man

Toronto Star : Ouzounian: Might be a Knockout

Pennington Post : Fetch Friends, Make Haste, and see McCarter’s ‘Fetch Clay, Make Man’



VARIETY : Five Fingers of Funk (Review)

Minneapolis Star-Tribune : Giving it up for ‘Five Fingers of Funk’



American Theatre : Hip-Hop Visions of an Ancient World

The New York Times : Riffing and Scratching, And Remixing Aeschylus

The Village Voice : Hip Hoplites: Remixing Aeschylus, The Seven Spills Classic Tragedy Onto Today’s Mean Streets

The New York Times : Taking Aeschylus Hip-Hop, Into Modern Urban Streets

American Theatre : A Tribe Called Will Power

The Village Voice : Classic at Generation Gap

Time Out New York : Reviews: The Seven

SF Weekly : Balance of Power, A Hip Hop Adaptation of Aeschylus Takes A Surprisingly Light Touch

San Jose Mercury News : Tragedy of ‘Seven’ Transcends Years

The New York Sun : Beats, Rhymes, And Death

New York Theatre Experience : NY Theatre Review: The Seven

CurtainUp : A CurtainUp Review: The Seven




The Commercial Appeal, Fanfare : Hip-Hop Theater

The New York Times : Hip-Hop and Musicals: Made for Each Other

American Theater Web : Will Power’s Flow: Deft, Powerful, Musical Storytelling

Newsday : Power-ful Performance

The New York Times : Spinning Storytelling Yarn for a New Generation

Theater Mania : Flow Review

One World : Power Surge

The San Francisco Chronicle : This is the Theater of Our Time

The Washington Post : At Dance Place, Verse is Foremost

The New York Times : Hip-Hop’s Distinct Voice Is Reshaping Theater

American Theatre : Tha Playz tha Thang

Curtain Up : Flow, A Curtain Up Review

Variety : Review: Flow

Vibe : Powerful Impact




Africana : Will Power: Gathering Black Men’s Stories

The Guardian : Review: The Gathering

Evening Standard : The Rhythm King

Time Out : Review: The Gathering

St. Petersburg Times : A ‘Gathering’ Of Talent

The Source : Review: The Gathering

The Indianapolis Star : 1-Man Show Keeps a Versatile Star’s Talent Hip-Hopping

American Theatre : Review: The Gathering

Vibe : Breakin’ Bard